During child-custody hearings last year, a lawyer for Alex Jones, America’s ranking far-right paranoiac, claimed his client was “playing a character” on his “Infowars” radio show and on websites.

Jones’ ex-wife, Kelly Jones, testified that her former husband was a violent basket case. “He is not a stable person. He says he wants to break Alec Baldwin’s neck. He wants J-Lo to get raped.”

Jones’ lawyer countered that his client was a “performance artist.”

Ah. An artist. So Jones is faking his argument that NASA faked the 1969 moon landing. That the 1995 Oklahoma City bombing by American terrorist Timothy McVeigh was a government op. That 9/11 was an inside job. That the 2012 massacre in Newtown, Conn., by addled misogynist Adam Lanza was staged. That white genocide is nigh.

And that just this week, Democrats were planning a “second civil war” to destroy the United States on Independence Day.

The civil war never materialized. Like evidence for Jones’ other “artworks,” it didn’t exist at all.

Jones’ performances can have horrific consequences. A man who believed Jones-supported fables about Hillary Clinton’s fictional pedophile ring in a pizza joint showed up at the restaurant with a gun. The grieving Newtown families still receive death threats from Jones’ minions. In April, they filed a lawsuit against Jones for defamation.

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